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Passing and Posing between Black and White – Calibrating the Color Line in U.S. Cinema

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SKU 9783837653373 Categories Products, Sociology & Human Behaviour

Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fac...

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Description
Additional information

Description

Product ID:	9783837653373
Product Form:	Paperback / softback
Country of Manufacture:	DE
Series:	FilmStudies
Title:	Passing and Posing between Black and White – Calibrating the Color Line in U.S. Cinema
Authors:	Author: Lisa Gotto
Page Count:	250
Subjects:	Social and cultural history, Social & cultural history, Media studies, Social discrimination and social justice, Ethnic groups and multicultural studies, Media studies, Social discrimination & inequality, Ethnic minorities & multicultural studies
Description:	Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state it has much more to do with disputing boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium.
Imprint Name:	Transcript Verlag
Publisher Name:	Transcript Verlag
Country of Publication:	GB
Publishing Date:	2021-12-02

Additional information

Weight	400 g
Dimensions	161 × 224 × 25 mm

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