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Artivism: The Battle for Museums in the Era of Postmodernism

2 in stock

Firm sale: non returnable item
SKU 9781788360739 Categories ,
Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism (activism through art). His findings suggest the perception of artivism as a grassroots humanitarian moveme...

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Description

Product ID:9781788360739
Product Form:Paperback / softback
Country of Manufacture:GB
Series:Societas
Title:Artivism
Subtitle:The Battle for Museums in the Era of Postmodernism
Authors:Author: Alexander Adams
Subjects:The arts: general topics, The arts: general issues, History of art, Popular culture, Pressure groups, protest movements and non-violent action, Art & design styles: Postmodernism, Popular culture, Demonstrations & protest movements
Description:Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism (activism through art). His findings suggest the perception of artivism as a grassroots humanitarian movement could not be more misleading.

From Banksy to Extinction Rebellion, artivism (activism through art) is the art of our era. From international biennale to newspaper pages, artivism is everywhere. Both inside museums and on the streets, global artivism spreads political messages and raises social issues, capturing attention with shocking protests and weird stunts. Yet, is this fusion of art and activism all it seems? Are artivist messages as subversive and anti-authoritarian we assume they are? How has the art trade commodified protest and how have activists parasitised art venues? Is artivism actually an arm of the establishment?

Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism. He uncovers troubling ethical infractions within public organisations and a culture of complacent self-congratulation in the arts. His findings suggest the perception of artivism – the most influential art practice of the twenty-first century – as a grassroots humanitarian movement could not be more misleading. Adams concludes that artivism erodes the principles underpinning museums, putting their existence at risk.


Imprint Name:Imprint Academic
Publisher Name:Imprint Academic
Country of Publication:GB
Publishing Date:2022-08-02