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      Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty from the “Malleus Maleficarum” to Shakespeare

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      SKU 9781501772184 Categories ,
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      Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints gov...

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      Description

      Product ID:9781501772184
      Product Form:Paperback / softback
      Country of Manufacture:GB
      Title:Afterlives of Endor
      Subtitle:Witchcraft, Theatricality, and Uncertainty from the "Malleus Maleficarum" to Shakespeare
      Authors:Author: Laura Levine
      Page Count:192
      Subjects:Theatre studies, Theatre studies, Literary studies: plays and playwrights, Witchcraft, Witchcraft and wicca, Literary studies: plays & playwrights, Witchcraft, Witchcraft & Wicca
      Description:Select Guide Rating
      Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie des Sorciers (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments, and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

      Afterlives of Endor offers an analysis of the way early modern English literature addressed the period''s anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot''s skeptical The Discoverie of Witchcraft (1584), King James VI/I''s Daemonologie (1597), and Jean Bodin''s De la Demonomanie des Sorciers (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare''s The Winter''s Tale and The Tempest, Spenser''s The Faerie Queene, and Marlowe''s Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments, and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.


      Imprint Name:Cornell University Press
      Publisher Name:Cornell University Press
      Country of Publication:GB
      Publishing Date:2023-11-15

      Additional information

      Weight312 g
      Dimensions153 × 229 × 15 mm