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      Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought

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      SKU 9781501368295 Categories ,
      Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, t...

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      Description

      Product ID:9781501368295
      Product Form:Hardback
      Country of Manufacture:US
      Title:Japanese Horror Cinema and Deleuze
      Subtitle:Interrogating and Reconceptualizing Dominant Modes of Thought
      Authors:Author: Dr. Rachel Elizabeth Barraclough
      Page Count:264
      Subjects:Film history, theory or criticism, Film theory & criticism, Film: styles and genres, Philosophy, Film: styles & genres, Philosophy, Japan, c 1990 to c 2000, c 2000 to c 2010
      Description:Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.
      Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.
      Imprint Name:Bloomsbury Academic USA
      Publisher Name:Bloomsbury Publishing Plc
      Country of Publication:GB
      Publishing Date:2022-02-10

      Additional information

      Weight524 g
      Dimensions159 × 237 × 22 mm