Description
| Product ID: | 9781501345760 |
| Product Form: | Hardback |
| Country of Manufacture: | GB |
| Series: | Film Theory in Practice |
| Title: | Deleuze and Lola Montes |
| Authors: | Author: Dr Richard Rushton |
| Page Count: | 200 |
| Subjects: | Film history, theory or criticism, Film theory & criticism, Individual film directors, film-makers, Individual film directors, film-makers |
| Description: | Select Guide Rating Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation. Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation. |
| Imprint Name: | Bloomsbury Academic USA |
| Publisher Name: | Bloomsbury Publishing Plc |
| Country of Publication: | GB |
| Publishing Date: | 2020-12-10 |
