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      Seeing by Electricity: The Emergence of Television, 1878-1939

      2 in stock

      Firm sale: non returnable item
      SKU 9781478008224 Categories ,
      Select Guide Rating
      Doron Galili traces television's early history, from the fantastical devices initially imagined fifty years before the first television prototypes to the emergence of broadcast television in the 1930s, showing how television was always discussed and treated in relation to cine...

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      Description

      Product ID:9781478008224
      Product Form:Paperback / softback
      Country of Manufacture:GB
      Series:Sign, Storage, Transmission
      Title:Seeing by Electricity
      Subtitle:The Emergence of Television, 1878-1939
      Authors:Author: Doron Galili
      Page Count:264
      Subjects:Television, Television, Media studies: TV and society, TV & society
      Description:Select Guide Rating
      Doron Galili traces television's early history, from the fantastical devices initially imagined fifty years before the first television prototypes to the emergence of broadcast television in the 1930s, showing how television was always discussed and treated in relation to cinema.
      Already in the late nineteenth century, electricians, physicists, and telegraph technicians dreamed of inventing televisual communication apparatuses that would “see” by electricity as a means of extending human perception. In Seeing by Electricity Doron Galili traces the early history of television, from fantastical image transmission devices initially imagined in the 1870s such as the Telectroscope, the Phantoscope, and the Distant Seer to the emergence of broadcast television in the 1930s. Galili examines how televisual technologies were understood in relation to film at different cultural moments—whether as a perfection of cinema, a threat to the Hollywood industry, or an alternative medium for avant-garde experimentation. Highlighting points of overlap and divergence in the histories of television and cinema, Galili demonstrates that the intermedial relationship between the two media did not start with their economic and institutional rivalry of the late 1940s but rather goes back to their very origins. In so doing, he brings film studies and television studies together in ways that advance contemporary debates in media theory.
      Imprint Name:Duke University Press
      Publisher Name:Duke University Press
      Country of Publication:GB
      Publishing Date:2020-02-28

      Additional information

      Weight390 g
      Dimensions152 × 229 × 17 mm