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The New Physiognomy: Face, Form, and Modern Expression

The New Physiognomy: Face, Form, and Modern Expression

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SKU 9781421448381 Categories Literary Criticism, Products

A fascinating new study of the face, form, and history of expression. Advances in facial recognition, artificial intelligence, and other technologies provoke urgent ethical questions about facial expressivity and how we interpret it. In The New Physiognomy, Rochelle Rives roots contemporary facial...

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Description
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Description

Product ID:	9781421448381
Product Form:	Paperback / softback
Country of Manufacture:	GB
Series:	Hopkins Studies in Modernism
Title:	The New Physiognomy
Subtitle:	Face, Form, and Modern Expression
Authors:	Author: Rochelle ) Rives
Page Count:	264
Subjects:	Cultural studies, Cultural studies
Description:	A fascinating new study of the face, form, and history of expression. Advances in facial recognition, artificial intelligence, and other technologies provoke urgent ethical questions about facial expressivity and how we interpret it. In The New Physiognomy, Rochelle Rives roots contemporary facial dilemmas in a more expansive timeline of modernist engagements with the face to argue that facial ambiguity is essential to how we value other people. Beginning with nineteenth-century caricatures of Oscar Wilde's face, Rives reasons that modernist modes of reading the face perceived it as a manifestation of both biologically determined traits and scripted forms of personality. Considering faces such as sculptures of great poets, portraits of facially wounded World War I soldiers, W. H. Auden's aging face, and Cindy Sherman's recent photographic self-portraits, Rives reframes how to read modernist works by Theodore Dreiser, Edith Wharton, Jean Rhys, Joseph Conrad, Mina Loy, Henry Tonks, and Henri Gaudier-Brzeska.
Imprint Name:	Johns Hopkins University Press
Publisher Name:	Johns Hopkins University Press
Country of Publication:	GB
Publishing Date:	2024-04-09

Additional information

Weight	406 g
Dimensions	228 × 152 × 19 mm

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