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      Reading Underwater Wreckage: An Encrusting Ocean

      1 in stock

      Firm sale: non returnable item
      SKU 9781350290044 Categories ,
      Presenting a novel and needed theoretical model for interpreting shipwrecks and other drowned fragments—the histories they tell, and the futures they presage—as junctures of artefact and ecofact, human remains and emergent ecologies, this book puts the environmental humanities, and particularly ...

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      Description

      Product ID:9781350290044
      Product Form:Hardback
      Country of Manufacture:GB
      Series:Environmental Cultures
      Title:Reading Underwater Wreckage
      Subtitle:An Encrusting Ocean
      Authors:Author: Killian Quigley
      Page Count:216
      Subjects:History of art, Art styles not defined by date, Literary studies: c 1900 to c 2000, Literary studies: poetry and poets, Environmentalist thought and ideology, Literary studies: from c 1900 -, Literary studies: poetry & poets, Environmentalist thought & ideology
      Description:Presenting a novel and needed theoretical model for interpreting shipwrecks and other drowned fragments—the histories they tell, and the futures they presage—as junctures of artefact and ecofact, human remains and emergent ecologies, this book puts the environmental humanities, and particularly multispecies studies, in close conversation with literary studies, history, and aesthetic theory.Earth’s oceans hold the remains of as many as three million shipwrecks, some thousands of years old. Instead of approaching shipwrecks as either artefacts or “ecofacts,” this book presents a third frame for understanding, one inspired by the material dynamism of sea-floor stuff. As they become encrusted by oceanic matter—some of it living, some inanimate—anthropic fragments participate in a distinctively submarine form of material relation. That relation comprises a wide, and sometimes incalculable, array of things, lives, times, and stories. Drawing from several centuries of literary, philosophical, and scientific encounters with encrustations—as well as from some of the innumerable encrusted “art-forms” that inhabit the sea floor— this book serves anyone in search of better ways to perceive, describe, and imagine submarine matters.
      Presenting a novel and needed theoretical model for interpreting shipwrecks and other drowned fragments—the histories they tell, and the futures they presage—as junctures of artefact and ecofact, human remains and emergent ecologies, this book puts the environmental humanities, and particularly multispecies studies, in close conversation with literary studies, history, and aesthetic theory. Earth’s oceans hold the remains of as many as three million shipwrecks, some thousands of years old. Instead of approaching shipwrecks as either artefacts or “ecofacts,” this book presents a third frame for understanding, one inspired by the material dynamism of sea-floor stuff. As they become encrusted by oceanic matter—some of it living, some inanimate—anthropic fragments participate in a distinctively submarine form of material relation. That relation comprises a wide, and sometimes incalculable, array of things, lives, times, and stories. Drawing from several centuries of literary, philosophical, and scientific encounters with encrustations—as well as from some of the innumerable encrusted “art-forms” that inhabit the sea floor— this book serves anyone in search of better ways to perceive, describe, and imagine submarine matters.
      Imprint Name:Bloomsbury Academic
      Publisher Name:Bloomsbury Publishing PLC
      Country of Publication:GB
      Publishing Date:2023-01-12

      Additional information

      Weight482 g
      Dimensions164 × 242 × 20 mm