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      Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc

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      SKU 9781107033368 Categories ,
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      The first major study of Alan Bush, this book provides new perspectives on music and communism in twentieth-century Britain and the Communist Bloc. Drawing on untapped archival sources and incorporating readings of Bush's major works, this book will appeal to scholars of moder...

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      Description

      Product ID:9781107033368
      Product Form:Hardback
      Country of Manufacture:US
      Series:Music since 1900
      Title:Alan Bush, Modern Music, and the Cold War
      Subtitle:The Cultural Left in Britain and the Communist Bloc
      Authors:Author: Joanna Bullivant
      Page Count:287
      Subjects:Theory of music and musicology, Theory of music & musicology, Composers and songwriters, Cold wars and proxy conflicts, Far-left political ideologies and movements, Individual composers & musicians, specific bands & groups, The Cold War, Marxism & Communism, United Kingdom, Great Britain, 20th century
      Description:Select Guide Rating
      The first major study of Alan Bush, this book provides new perspectives on music and communism in twentieth-century Britain and the Communist Bloc. Drawing on untapped archival sources and incorporating readings of Bush's major works, this book will appeal to scholars of modern British music, communism, and the Cold War.
      The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be ''a lightning rod'' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush''s response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the ''cultural Cold War'' through the lens of the individual artist.
      Imprint Name:Cambridge University Press
      Publisher Name:Cambridge University Press
      Country of Publication:GB
      Publishing Date:2017-08-10

      Additional information

      Weight754 g
      Dimensions183 × 254 × 19 mm