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      Chinese Animated Film and Ideology: Tradition, Innovation, and Interculturality

      2 in stock

      Firm sale: non returnable item
      SKU 9781032197647 Categories ,
      Select Guide Rating
      This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976).

      This book presents a contextualized overview of the...

      £48.99

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      Description

      Product ID:9781032197647
      Product Form:Hardback
      Country of Manufacture:GB
      Series:Focus Animation
      Title:Chinese Animated Film and Ideology
      Subtitle:Tradition, Innovation, and Interculturality
      Authors:Author: Olga Bobrowska
      Page Count:180
      Subjects:Animated films and animation, Animated films, Digital animation, Games development and programming, Computer science, Digital animation, Games development & programming, Computer science
      Description:Select Guide Rating
      This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976).

      This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976) but largely focusing on the representation strategies created in the times of reforms and opening-up under Deng Xiaoping (1978–1989/1992).

      Deeply grounded in cultural studies, the book employs an interdisciplinary approach, interlacing the reflection with the perspectives of political science, film studies, and film festival studies. It focuses on phenomena anchored to the paradigms of nationalization, reform, and internationalization: among them, nuanced understanding of the minzu (national) category (including the classic style of Chinese animation); invention of wash-and-ink painting animation (shuimo donghua); renewal of film theory and animated film language; soft power and cultural diplomacy; and regular access and co-creation of the international industry (festival distribution).

      This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.


      Imprint Name:CRC Press
      Publisher Name:Taylor & Francis Ltd
      Country of Publication:GB
      Publishing Date:2023-12-11

      Additional information

      Weight366 g
      Dimensions144 × 224 × 19 mm