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      The Selfie, Temporality, and Contemporary Photography

      4 in stock

      Firm sale: non returnable item
      SKU 9780367765750 Categories ,
      Select Guide Rating
      This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice.

      This book is a theoretical examination of the relationship between the face, identity, photography, ...

      £37.99

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      Description

      Product ID:9780367765750
      Product Form:Paperback / softback
      Country of Manufacture:GB
      Series:Routledge History of Photography
      Title:The Selfie, Temporality, and Contemporary Photography
      Authors:Author: Claire Raymond
      Page Count:178
      Subjects:Theory of art, Theory of art, History of art, The Arts: art forms, Photography and photographs, Philosophy: aesthetics, Popular culture, Media studies, Psychological theory, systems, schools and viewpoints, Social, group or collective psychology, History of art / art & design styles, Art forms, Photography & photographs, Philosophy: aesthetics, Popular culture, Media studies, Psychological theory & schools of thought, Social, group or collective psychology
      Description:Select Guide Rating
      This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice.

      This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice.

      Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier.

      The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.


      Imprint Name:Routledge
      Publisher Name:Taylor & Francis Ltd
      Country of Publication:GB
      Publishing Date:2022-12-19

      Additional information

      Weight420 g
      Dimensions173 × 246 × 13 mm