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      The Monstrous-Feminine: Film, Feminism, Psychoanalysis

      12 in stock

      Firm sale: non returnable item
      SKU 9780367209452 Categories ,
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      This updated edition of The Monstrous Feminine includes an entirely new section examining feminist horror films of the new millennium in the context of abjection and nonhuman theory.

      This is a timely update of a seminal text which re-interprets key films of the horror ge...

      £36.99

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      Description

      Product ID:9780367209452
      Product Form:Paperback / softback
      Country of Manufacture:GB
      Series:Popular Fictions Series
      Title:The Monstrous-Feminine
      Subtitle:Film, Feminism, Psychoanalysis
      Authors:Author: Barbara Creed
      Page Count:266
      Subjects:Film history, theory or criticism, Film theory & criticism, Literature: history and criticism, History, Media studies, Feminism and feminist theory, Gender studies: women and girls, Psychoanalytical and Freudian psychology, Literature: history & criticism, Humanities, Media studies, Feminism & feminist theory, Gender studies: women, Psychoanalytical theory (Freudian psychology)
      Description:Select Guide Rating
      This updated edition of The Monstrous Feminine includes an entirely new section examining feminist horror films of the new millennium in the context of abjection and nonhuman theory.

      This is a timely update of a seminal text which re-interprets key films of the horror genre, including Carrie, The Exorcist, The Brood and Psycho.

      In the first edition, Creed draws on Julia Kristeva’s theory of abjection to challenge the popular view that women in horror are almost always victims, and argues that patriarchal ideology constructs women as monstrous in relation to her sexuality and reproductive body to justify her subjugation. Although a projection of male fears and paranoid fantasies, the monstrous-feminine is nonetheless a terrifying figure. Creed’s argument contests Freudian and Lacanian theories of sexual difference to offer a provocative rereading of classical and contemporary horror.

      This updated edition includes a new section examining contemporary feminist horror films in relation to nonhuman theory. Creed proposes a new concept of radical abjection to reinterpret the monstrous-feminine as a figure who embraces abjection by reclaiming her body and re-defining her otherness as nonhuman – while questioning patriarchy, anthropocentrism, misogyny and the meaning of the human. Films discussed include Ginger Snaps, Teeth, Atlantics, The Girl with All the Gifts, Border and Titane.

      Barbara Creed’s classic remains as relevant as ever and this edition will be of interest to academics and students of feminist theory, nonhuman theory, critical animal studies, race, and queer theory.


      Imprint Name:Routledge
      Publisher Name:Taylor & Francis Ltd
      Country of Publication:GB
      Publishing Date:2023-11-02

      Additional information

      Weight458 g
      Dimensions151 × 234 × 18 mm