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Gothic Sculpture

3 in stock

Firm sale: non returnable item
SKU 9780300241433 Categories ,
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In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood...

£40.00

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Description

Product ID:9780300241433
Product Form:Hardback
Country of Manufacture:US
Title:Gothic Sculpture
Authors:Author: Paul Binski
Page Count:296
Subjects:History of art, History of art: Byzantine & Medieval art c 500 CE to c 1400, Non-graphic and electronic art forms, Non-graphic art forms
Description:Select Guide Rating
In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a “poetic.” Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts. Published in association with the Paul Mellon Centre for Studies in British Art
Imprint Name:Yale University Press
Publisher Name:Yale University Press
Country of Publication:GB
Publishing Date:2019-05-14