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      The Pre-Raphaelites and Science

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      Firm sale: non returnable item
      SKU 9780300232066 Categories ,
      This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled o...

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      Description

      Product ID:9780300232066
      Product Form:Hardback
      Country of Manufacture:US
      Title:The Pre-Raphaelites and Science
      Authors:Author: John Holmes
      Page Count:308
      Subjects:The arts: general topics, The arts: general issues, History of art, History of art, General and world history, European history, History, History of science, History of art & design styles: c 1800 to c 1900, Art & design styles: Romanticism, General & world history, British & Irish history, Modern history to 20th century: c 1700 to c 1900, History of science, United Kingdom, Great Britain, c 1800 to c 1900
      Description:This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled on science, in which precise observation could lead to discoveries about nature and humanity. In Oxford and London, Victorian scientists and Pre-Raphaelite artists worked together to design and decorate natural history museums as temples to God’s creation. At the same time, journals like Nature and the Fortnightly Review combined natural science with Pre-Raphaelite art theory and poetry to find meaning and coherence within a worldview turned upside down by Darwin’s theory of evolution. Offering reinterpretations of well-known works by John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Ford Madox Brown, and William Morris, this major revaluation of the popular Victorian movement also considers less-familiar artists who were no less central to the Pre-Raphaelite project. These include William Michael Rossetti, Walter Deverell, James Collinson, John and Rosa Brett, John Lucas Tupper, and the O’Shea brothers, along with the architects Benjamin Woodward and Alfred Waterhouse.  Published in association with the Paul Mellon Centre for Studies in British Art
      Imprint Name:Yale University Press
      Publisher Name:Yale University Press
      Country of Publication:GB
      Publishing Date:2018-06-26

      Additional information

      Weight1626 g
      Dimensions286 × 238 × 26 mm