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Use coupon code “MARCH20” for a 20% discount on all items! Valid until 31-03-2025
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| Product ID: | 9780252042805 |
| Product Form: | Hardback |
| Country of Manufacture: | GB |
| Series: | New Perspectives on Gender in Music |
| Title: | Rocking the Closet |
| Subtitle: | How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music |
| Authors: | Author: Vincent L Stephens |
| Page Count: | 248 |
| Subjects: | Popular music, Rock & Pop music, Composers and songwriters, Cultural studies, Individual composers & musicians, specific bands & groups, Cultural studies, USA, c 1945 to c 1960 |
| Description: | Select Guide Rating The all-embracing, "whaddya got?" nature of rebellion in Fifties America included pop music's unlikely challenge to entrenched notions of masculinity. Within that upheaval, four prominent artists dared to behave in ways that let the public assume—but not see—their queerness. That these artists cultivated ambiguous sexual personas often reflected an understandable fear, but also a struggle to fulfill personal and professional expectations. Vincent L. Stephens confronts notions of the closet—both coming out and staying in—by analyzing the careers of Liberace, Johnny Mathis, Johnnie Ray, and Little Richard. Appealing to audiences hungry for novelty and exoticism, the four pop icons used performance and queering techniques that ran the gamut. Liberace's flamboyance shared a spectrum with Mathis's intimate sensitivity while Ray's overwrought displays as "Mr. Emotion" seemed worlds apart from Little Richard's raise-the-roof joyousness. As Stephens shows, the quartet not only thrived in an era of gray flannel manhood, they pioneered the ways generations of later musicians would consciously adopt sexual mystery as an appealing and proven route to success. |
| Imprint Name: | University of Illinois Press |
| Publisher Name: | University of Illinois Press |
| Country of Publication: | GB |
| Publishing Date: | 2019-10-16 |
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