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Screening the Operatic Stage: Television and Beyond

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SKU 9780226831299 Categories ,
An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of r...

£30.00

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Description

Product ID:9780226831299
Product Form:Paperback / softback
Country of Manufacture:GB
Series:Opera Lab: Explorations in History, Technology, and Performance
Title:Screening the Operatic Stage
Subtitle:Television and Beyond
Authors:Author: Christopher Morris
Page Count:288
Subjects:Television, Television, Opera, Media studies, Opera, Media studies
Description:An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently “technological” opera is as a medium, they also highlight a deep suspicion among opera producers and audiences toward the intervention of media technology. Ultimately, Screening the Operatic Stage shows how the conventions of televisual representation employed in opera have masked the mediating effects of technology in the name of fidelity to live performance.
Imprint Name:University of Chicago Press
Publisher Name:The University of Chicago Press
Country of Publication:GB
Publishing Date:2024-03-29