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      Vital Crises in Italian Cinema: Iconography, Stylistics, Politics

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      SKU 9780199862177 Categories ,
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      Examining over twenty key works of the period, Vital Crises in Italian Cinema identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini.
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      Description

      Product ID:9780199862177
      Product Form:Paperback / softback
      Country of Manufacture:GB
      Title:Vital Crises in Italian Cinema
      Subtitle:Iconography, Stylistics, Politics
      Authors:Author: P. Adams Sitney
      Page Count:288
      Subjects:Film history, theory or criticism, Film theory & criticism, Italy
      Description:Select Guide Rating
      Examining over twenty key works of the period, Vital Crises in Italian Cinema identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini.
      First published in 1995 b, P. Adams Sitney''s Vital Crises in Italian Cinema has become a work of enduring importance in the study of Italian films produced from 1945-1963. Examining over twenty key works of the period, Sitney identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini. The debate over regional dialects and a unified national language find reflection in Visconti''s La terra trema and its source, the novel I Malavoglia. The father-son relationship serves as an opportunity to consider the tension between filial loyalty and individuality in works such as Uccellacci e uccellini and Ladri di biciclette. Romantic love juxtaposed with lust against the background of Roman Catholic iconography exemplifies another recurring predicament in the nation''s cinema. Rocco i suoi fratelli, La dolce Vita, and Accatone all feature female and male characters grappling with the idea of woman as either the epitome of Marian virtue or Magdalene-like sexuality. With each film under discussion, Sitney provides the relevant political and cultural context to demonstrate how the changes in Italian life found their way into cinematic art. A new afterword extends the range of the study to the early 1970s, as it considers the pastoral ideal deflated by urban reality in Padre Padrone and L''albero degli zoccoli.
      Imprint Name:Oxford University Press Inc
      Publisher Name:Oxford University Press Inc
      Country of Publication:GB
      Publishing Date:2013-03-21

      Additional information

      Weight404 g
      Dimensions234 × 157 × 14 mm