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      From Self-fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present

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      Firm sale: non returnable item
      SKU 9781789208139 Categories ,
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      Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and cap...

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      Description

      Product ID:9781789208139
      Product Form:Paperback / softback
      Country of Manufacture:GB
      Title:From Self-fulfilment to Survival of the Fittest
      Subtitle:Work in European Cinema from the 1960s to the Present
      Authors:Author: Ewa Mazierska
      Page Count:312
      Subjects:Film history, theory or criticism, Film theory & criticism, Literature: history and criticism, Labour / income economics, Literature: history & criticism, Labour economics
      Description:Select Guide Rating
      Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.

      Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.


      Imprint Name:Berghahn Books
      Publisher Name:Berghahn Books
      Country of Publication:GB
      Publishing Date:2020-01-14

      Additional information

      Weight456 g
      Dimensions151 × 229 × 21 mm