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      Feminist Film Theory and Pretty Woman

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      SKU 9781501319464 Categories ,
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      In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postf...

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      Description

      Product ID:9781501319464
      Product Form:Paperback / softback
      Country of Manufacture:US
      Series:Film Theory in Practice
      Title:Feminist Film Theory and Pretty Woman
      Authors:Author: Professor Mari Ruti
      Page Count:216
      Subjects:Film history, theory or criticism, Film theory & criticism, Feminism and feminist theory, Feminism & feminist theory
      Description:Select Guide Rating
      In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of “girly” femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial “feminine” concerns such as love and shopping. The book’s lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.
      In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of “girly” femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial “feminine” concerns such as love and shopping. The book’s lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.
      Imprint Name:Bloomsbury Academic USA
      Publisher Name:Bloomsbury Publishing Plc
      Country of Publication:GB
      Publishing Date:2016-10-20

      Additional information

      Weight234 g
      Dimensions192 × 129 × 16 mm