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      Forbidden Animation: Censored Cartoons and Blacklisted Animators in America

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      Firm sale: non returnable item
      SKU 9780786420322 Categories ,
      Many changes have been demanded by official censors or organized groups before cartoons could be shown in theaters or on television as rigid standards in the sound film era brought censorship in the animation industry. This text considers censorship and other restrictions of cartoons.

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      Description

      Product ID:9780786420322
      Product Form:Paperback / softback
      Country of Manufacture:US
      Title:Forbidden Animation
      Subtitle:Censored Cartoons and Blacklisted Animators in America
      Authors:Author: Karl F. Cohen
      Page Count:238
      Subjects:Animated films and animation, Animated films, Ethical issues: censorship, Ethical issues: censorship, USA
      Description:Many changes have been demanded by official censors or organized groups before cartoons could be shown in theaters or on television as rigid standards in the sound film era brought censorship in the animation industry. This text considers censorship and other restrictions of cartoons.

      Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop''s dress was lengthened so that her garter didn''t show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television.

      How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios'' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce''s Thank You Mask Man and Ralph Bakshi''s Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party.


      Imprint Name:McFarland & Co Inc
      Publisher Name:McFarland & Co Inc
      Country of Publication:GB
      Publishing Date:2004-05-28

      Additional information

      Weight346 g
      Dimensions155 × 325 × 14 mm