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      The Dialectics of Seeing: Walter Benjamin and the Arcades Project

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      Firm sale: non returnable item
      SKU 9780262521642 Categories ,
      Walter Benjamin''s magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin''s vast files of citations and commentary which con...

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      Description

      Product ID:9780262521642
      Product Form:Paperback / softback
      Country of Manufacture:GB
      Series:Studies in Contemporary German Social Thought
      Title:The Dialectics of Seeing
      Subtitle:Walter Benjamin and the Arcades Project
      Authors:Author: Susan Buck-Morss
      Page Count:512
      Subjects:Western philosophy from c 1800, Western philosophy, from c 1900 -, Sociology and anthropology, Human geography, Sociology & anthropology, Human geography, Germany
      Description:Walter Benjamin''s magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin''s vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose "materialist metaphysics" he admired) were the prototype, the 19th century "ur-form" of the modern shopping mall. Benjamin''s dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the timefrom air balloons to women''s fashions, from Baudelaire''s poetry to Grandville''s cartoons—as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin''s intellectual orientation on axes running east and west, north and south—Moscow Paris, Berlin-Naples—and shows how such thinking in coordinates can explain his understanding of "dialectics at a standstill." She argues for the continuing relevance of Benjamin''s insights but then allows a set of "afterimages" to have the last word.
      Imprint Name:MIT Press
      Publisher Name:MIT Press Ltd
      Country of Publication:GB
      Publishing Date:1991-07-01

      Additional information

      Weight698 g
      Dimensions228 × 150 × 23 mm